Title: UntitledDescription: 50 x 59 cm
Oil on canvasCollector: Liza MorozovaTransfer way: boughtGenre: PictureYear of production: 2000Year of collection: 2001
Oil on canvasCollector: Liza MorozovaTransfer way: boughtGenre: PictureYear of production: 2000Year of collection: 2001
Title: In search of the bull-1Description: 76 x 58 cm
Screenprint, collageCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1990Year of collection: 1995
Screenprint, collageCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1990Year of collection: 1995
Title: UntitledDescription: 44 x 25 cm
Paper, pencilCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of collection: 1996
Paper, pencilCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of collection: 1996
Title: Painting № 2Description: Edition: 100 copies
20.5 x 29.5 cm
Given by the Gelman Gallery employee Natalia MilovzorovaCollector: Liza MorozovaTransfer way: not specifiedGenre: UnknownYear of production: 2006
20.5 x 29.5 cm
Given by the Gelman Gallery employee Natalia MilovzorovaCollector: Liza MorozovaTransfer way: not specifiedGenre: UnknownYear of production: 2006
Title: Sketch for an unrealized project of ESCAPE to the Venice BiennaleDescription: А4
Paper
«You can see the stetch to the project that had a sad destiny. It was a project about angels. It was conceived by a group in 2002-2003 for the project in Oslo run by the curator A.Panov, but it was not realized. As times passed the group wanted to realize it more and more and when we were invited to the Venice Biennale we offered immediately the project to the curators and it was accepted, but then suddenly it was refused without explanations, following somebody's instruction».
L.MorozovaCollector: Liza MorozovaTransfer way: leftGenre: UnknownYear of production: 2005Year of collection: 2005
Paper
«You can see the stetch to the project that had a sad destiny. It was a project about angels. It was conceived by a group in 2002-2003 for the project in Oslo run by the curator A.Panov, but it was not realized. As times passed the group wanted to realize it more and more and when we were invited to the Venice Biennale we offered immediately the project to the curators and it was accepted, but then suddenly it was refused without explanations, following somebody's instruction».
L.MorozovaCollector: Liza MorozovaTransfer way: leftGenre: UnknownYear of production: 2005Year of collection: 2005
Title: UntitledDescription: «Drawn as a gift to me»
L. Morozova
11 x 16 cm
PaperCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1994Year of collection: 1995
L. Morozova
11 x 16 cm
PaperCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1994Year of collection: 1995
Title: UntitledDescription: «Drawn as a gift to me»
L. Morozova
15 x 21 cm
PaperCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1994Year of collection: 1994
L. Morozova
15 x 21 cm
PaperCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1994Year of collection: 1994
Title: GaliaDescription: A 4
Photographic paper
This work is one of the series of works by Yuri Sobolev where he uses female photo portraits made by Alexey Kolmykov. In this case you can see on the photo the artist Galina Metelichenko (Ledentsova), the wife of Y.Sobolev. Over the portrait a model of the Buddha icinography «The traditional sitting Buddha» is applied. Y.Sobolev used this model for many years as a canonical matrix (he laid it down the list, so that the public couldn't see it, but it gave him a certain rythm).Collector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of collection: 1996
Photographic paper
This work is one of the series of works by Yuri Sobolev where he uses female photo portraits made by Alexey Kolmykov. In this case you can see on the photo the artist Galina Metelichenko (Ledentsova), the wife of Y.Sobolev. Over the portrait a model of the Buddha icinography «The traditional sitting Buddha» is applied. Y.Sobolev used this model for many years as a canonical matrix (he laid it down the list, so that the public couldn't see it, but it gave him a certain rythm).Collector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of collection: 1996
Title: UntitledDescription: Made as a gift
14 x 20 cm
Paper, pencil, badge
This work was made as a gratitude to me for the long conversaton in the Andrey's studio which resulted in the good interview with him for the Black Square magazine. Before that Andrey returned from the Turkey where he participated in the festival and made a performance when the viewers gave him anything, he attached the thing to the center of the sheet and wrote numbers in the corners — and a picture came out of it. I also gave a personal thing that I found in the bag — a badge, an artifact of Avdey Ter-Oganyan and Zoya Cherkasskaya project «The end of critical discourse, or Olga Sviblova is a piece of shit» with the portrait of the members of the group ESCAPE (including me) and the text «Fucking bad artists»Collector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 2009Year of collection: 2009
14 x 20 cm
Paper, pencil, badge
This work was made as a gratitude to me for the long conversaton in the Andrey's studio which resulted in the good interview with him for the Black Square magazine. Before that Andrey returned from the Turkey where he participated in the festival and made a performance when the viewers gave him anything, he attached the thing to the center of the sheet and wrote numbers in the corners — and a picture came out of it. I also gave a personal thing that I found in the bag — a badge, an artifact of Avdey Ter-Oganyan and Zoya Cherkasskaya project «The end of critical discourse, or Olga Sviblova is a piece of shit» with the portrait of the members of the group ESCAPE (including me) and the text «Fucking bad artists»Collector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 2009Year of collection: 2009
Title: UntitledDescription: 17 x 21cm
PaperCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1995Year of collection: 1995
PaperCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1995Year of collection: 1995
Title: YagurDescription: «Painted specially on my request.
During 1989 I took guitar lessons with Gera. I was preparing to enter the psychological faculty and was practicing in the interpretation of the project test «Imaginary animal» — I asked all my friends to paint it. Gera initially refused to do it but later he agreed. I think the name of the being «Yagur“ is a code for „I am a Guru .“»
L. Morozova
A4
Paper, pencilCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1989Year of collection: 1989
During 1989 I took guitar lessons with Gera. I was preparing to enter the psychological faculty and was practicing in the interpretation of the project test «Imaginary animal» — I asked all my friends to paint it. Gera initially refused to do it but later he agreed. I think the name of the being «Yagur“ is a code for „I am a Guru .“»
L. Morozova
A4
Paper, pencilCollector: Liza MorozovaTransfer way: presentedGenre: UnknownYear of production: 1989Year of collection: 1989
Title: Cleopatra's LoggiaDescription: Render in kind instead of a cash debt
40 x 32 cm
Paper
The work is a translation in painting of the performance-video installation of the same title by Natalia Zubovitch (group «Emergency Exit»), featured in the winter of 1997 in the Gallery Spider & Mouse. It was drawn from the still picture of video documentation.Collector: Liza MorozovaTransfer way: presentedGenre: PictureYear of production: 1997Year of collection: 1997
40 x 32 cm
Paper
The work is a translation in painting of the performance-video installation of the same title by Natalia Zubovitch (group «Emergency Exit»), featured in the winter of 1997 in the Gallery Spider & Mouse. It was drawn from the still picture of video documentation.Collector: Liza MorozovaTransfer way: presentedGenre: PictureYear of production: 1997Year of collection: 1997
Title: UntitledDescription: «The author asked me to be a model. The photo session was held at 6 am in the Catherine's Park of Tsarskoe Selo.»
L. MorozovaCollector: Liza MorozovaTransfer way: presentedGenre: Photography Year of production: 1996Year of collection: 1997
L. MorozovaCollector: Liza MorozovaTransfer way: presentedGenre: Photography Year of production: 1996Year of collection: 1997
Title: Tin-galleryDescription: 80 x 30 cm
Printing on oilcloth
Text in the work:
MOMA, Modern Art Museum, New YorkCollector: Liza MorozovaTransfer way: presentedGenre: Print
Printing on oilcloth
Text in the work:
MOMA, Modern Art Museum, New YorkCollector: Liza MorozovaTransfer way: presentedGenre: Print
